1960s More Prints
3
to
43
704
285
85
244
824
195
10
226
252
219
213
120
Overall Height
to
Overall Width
to
233
125
120
49
20
4
2
1
28
19
18
12
8
7
7
7
7
5
3
3
2
2
2
2
2
1
1
1
240
600
6,338
3,638
81
157
289
562
563
764
1,030
1,033
633
431
163
53
37
36
28
19
421
398
99
46
45
Period: 1960s
Santiago of Compostela, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: Santiago of Compostela
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"...
Category
Surrealist 1960s More Prints
Materials
Etching
The pagoda, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: The pagoda
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Image Size:...
Category
Surrealist 1960s More Prints
Materials
Etching
Passiflora Laurigera original signed etching Flora Dalinae 1968 Salvador Dali
Located in Paonia, CO
Passiflora Laurigera original signed limited edition ( 121/200) etching from Flora Dalinae 1968 suite by Salvador Dali. This suite consis...
Category
Surrealist 1960s More Prints
Materials
Etching
The sun, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: The sun
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Image Size: 15...
Category
Surrealist 1960s More Prints
Materials
Etching
The old hippie, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: The old hippie
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Image S...
Category
Surrealist 1960s More Prints
Materials
Etching
Woman in the waves, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: Woman in the waves
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x...
Category
Surrealist 1960s More Prints
Materials
Etching
The sacred cow, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: The sacred cow
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Image S...
Category
Surrealist 1960s More Prints
Materials
Etching
Woman with the garter, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: Woman with the garter
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
...
Category
Surrealist 1960s More Prints
Materials
Etching
Woman with cushion, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: Woman with cushion
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Ima...
Category
Surrealist 1960s More Prints
Materials
Etching
The cosmonaut, from The Hippies
Located in Washington, DC
Artist: Salvador Dali
Title: The cosmonaut
Portfolio: The Hippies
Medium: Color etching on Arches
Date: 1969
Edition: 102/145
Frame Size: 31" x 26 1/2"
Sheet Size: 26" x 20"
Image Si...
Category
Surrealist 1960s More Prints
Materials
Etching
Original Vintage USSR Space Race Propaganda Poster Triumph Anthem Soviet Union
By V. Viktorov
Located in London, GB
Original vintage USSR space race propaganda poster - Наш Триумф В Космосе Гимн Стране Советов! Our Triumph in Space Anthem to the Land of the Soviets - feat...
Category
1960s More Prints
Materials
Paper
Roy Lichtenstein Girl from 1¢ Life
Located in Washington, DC
Artist: Roy Lichtenstein
Title: Girl
Portfolio: 1¢ Life
Medium: Lithograph on white wove paper
Date: 1963
Edition: 2000
Frame Size: 20 3/4" x 18 5/8"
Sheet Size: 16 1/4" x 11 1/2"
Im...
Category
Pop Art 1960s More Prints
Materials
Lithograph
The Red Boots on a Black Ground, 1968 ORIGINAL SERIGRAPH
By Jim Dine
Located in Brooklyn, NY
"The Red Boots on a Black Ground, 1968" by Jim Dine
This silkscreen print was created in 1968 by Multiples for a 1969 calendar featuring twelve major Pop artists. It is a small edit...
Category
Pop Art 1960s More Prints
Materials
Screen
Very Scarce Original Vintage Sport Poster Rome Olympic Games Italy Testa Russian
Located in London, GB
Very scarce original vintage sport poster for the XVII Olympic Games in Rome featuring a great design by Armando Testa (1917-1992) with a Russian text. Design depicts the twin brothe...
Category
1960s More Prints
Materials
Paper
Rare Original Vintage Sport Poster Rome Olympic Games Italy Armando Testa Arabic
Located in London, GB
Rare original vintage sport poster for XVII Olympic Games in Rome featuring a great design by Armando Testa (1917-1992) depicting the twin brothers Romulus and Remus being suckled by...
Category
1960s More Prints
Materials
Paper
Original Vintage Travel Poster Visit The Arab States Africa Middle East Design
Located in London, GB
Original vintage travel poster - Visit the Arab States - featuring illustrations of iconic architecture and ancient and historical monuments including the Pillars of the Temple of Ju...
Category
1960s More Prints
Materials
Paper
Original Vintage Car Advertising Poster Porsche Golf Sport Of Personality Lohrer
By Hanns Lohrer
Located in London, GB
Original vintage car advertising poster for Porsche Sport der Personlichkeit Fahren in seiner schonsten Form / Sport of personality Driving in its finest Form featuring an illustrati...
Category
1960s More Prints
Materials
Paper
Jeu de la Cape (III), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso
Title: Jeu de la Cape (III)
Portfolio: A Los Toros Avec Picasso
Medium: Transfer lithograph
Date: 1961
Edition: Unnumbered
Frame Size: 18 1/4" x 20 3/4"
Sheet S...
Category
Abstract 1960s More Prints
Materials
Lithograph
Original Hell's Angels '69 vintage motorcycle movie poster half-sheet
Located in Spokane, WA
Original Hell's Angels '69 vintage half-sheet movie poster.
Original horizontal half sheet movie poster from 1969: Hell's Angeles '69. The film stars the original Oakland Hell's Angeles with Tom Stern, Jeremy Slate, Conny Van Dyke; Steve Sandor, Sonny Barger, Terry the Tramp. Am American International Release original. 'For a wild, wicked weekend and the deadliest gamble ever dared!. The left-hand side features the famous landmark hotel signs from Flamingo Sahara, Caesars Palace...
Category
American Modern 1960s More Prints
Materials
Offset
La Danseuse Creole, Nice, France
Located in Brooklyn, NY
Sku: MI1501
Artist: Henri Matisse
Title: La Danseuse Creole, Nice, France
Year: 1965
Signed: No
Medium: Lithograph
Paper Size: 39 x 24.5 inches ( 99.06 x 62.23 cm )
Image Size: 32.5 ...
Category
Modern 1960s More Prints
Materials
Lithograph
Les Banderilles (IV), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso
Title: Les Banderilles (IV)
Portfolio: A Los Toros Avec Picasso
Medium: Transfer lithograph
Date: 1961
Edition: Unnumbered
Frame Size: 18 1/4" x 20 3/4"
Sheet ...
Category
Abstract 1960s More Prints
Materials
Lithograph
Untitled - Lithograph by Giuseppe Capogrossi - 1960s
Located in Roma, IT
Untitled is a print realized by Giuseppe Capogrossi (Rome, 1900 - 1972).
Lithograph on paper
Hand-signed lower right, numbered, edition lower left, 56/80 prints. Embossing stamp of...
Category
Abstract 1960s More Prints
Materials
Paper, Lithograph
"Les saltimbanques" by Marc Chagall, expressionist, figurative, lithograph print
By Marc Chagall
Located in Köln, DE
"Les saltimbanques" by Marc Chagall is numbered and signed Epreuve d’artiste’ and numbered XXIV/XXV, and is apart from the edition of 50. 76,2 x 53,7 cm. This lithograph from 1969. C...
Category
Expressionist 1960s More Prints
Materials
Lithograph
Le Buste - Etching attr. to Salvador Dalì - 1968/69
Located in Roma, IT
Le Buste is an original contemporary artwork realized by Salvador Dalì between 1968/1969.
Mixed colored etching.
Hand signed and numbered on the lower margi...
Category
Surrealist 1960s More Prints
Materials
Etching
Joan Miro - “Plate I” from “Oda à Joan Miró” - Lithograph
By Joan Miró
Located in Collonge Bellerive, Geneve, CH
“Plate I,” from “Oda à Joan Miró,” by Joan Brossa Lithograph in colors, 1973 Signed in pencil and inscribed “H.C.” (presumably one of 10; the total edition was 525) Published by La...
Category
Abstract 1960s More Prints
Materials
Lithograph
Marc Chagall - Moses Striking Water from the Rock - Original Handsigned Etching
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - Moses Striking Water from the Rock - Original Handsigned Etching
1958
Printed by Tériade
Dimensions: 54 x 39 cm
Handsigned and numbered
handcolored
Edition: 100
Reference: Cramer 30.
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
Surrealist 1960s More Prints
Materials
Etching
Femme à la Guitare - Etching by Ossip Zadkine - 1962
Located in Roma, IT
"Femme à la guitare" is an print realized by Ossip Zadkine (Vitebsk 1890 - Paris 1967) in 1962
Color etching - artist's proof.
Hand-signed and dated...
Category
Cubist 1960s More Prints
Materials
Etching
Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching
1958
Printed by Tériade
Dimensions: 54 x 39 cm
Handsigned and numbered
handcolored
Edition: 100
Reference: Cramer 30.
Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
Surrealist 1960s More Prints
Materials
Etching
The Woodstock Poster by Bruce Dorfman, 1968
Located in New York, NY
The Woodstock Poster was originally commissioned by the Woodstock Book Shop and Woodstock Chamber of Commerce. It was subsequently purchased from the ...
Category
Post-Modern 1960s More Prints
Materials
Lithograph
Le Miracle - Original Etching by Marino Marini - 1960
Located in Roma, IT
Hand Signed and Numbered. Edition of 6 pieces (H.C.)
Ref. Guastalla n. A59; G. Di S.Lazzaro n. 50J; L. Toninelli n. 56.
Category
1960s More Prints
Materials
Etching
Acrobats - Etching boy Marino Marini - 1963
Located in Roma, IT
Hand signed and numbered. Edition of 50 prints.
From the book "Idea e Spazio" including 12 etchings by Marino Marini and poems by Egle Marini.
Ref.: Toninelli n. 80.
Image dimensio...
Category
Contemporary 1960s More Prints
Materials
Etching
Valse Lente pour l'Anaon (Triptyque) / Slow Waltz for the AnaoN (Triptych)
Located in Roma, IT
Image dimensions: 26x50 cm.
Hand signed and numbered.
Edition of 50 prints.
III Status. Published in the general catalogue "Jean Pierre Velly - L'Oeuvre Grave", by Didier Bodart,...
Category
Contemporary 1960s More Prints
Materials
Etching
Large Original Vintage Car Racing Sport Event Poster - Monaco Grand Prix 1961
Located in London, GB
Original vintage sport poster for the 1961 Grand Prix Monaco Formula One motor race held on the Circuit de Monaco circuit in Monte Carlo featuring a great illustration against a dark...
Category
1960s More Prints
Materials
Paper
Jugglers V - Original Etching by Marino Marini - 1969
Located in Roma, IT
Image dimensions: 35.7x30 cm
Hand signed and numbered. Edition of 65 prints. Technique: etching and drypoint. Original title "Giocolieri".
This work is plate VII from the Portfolio "...
Category
1960s More Prints
Materials
Etching
Miracolo (Miracle) - Original Etching - 1969
Located in Roma, IT
Image dimensions: 40.5x31.5 cm.
Edition of 20 prints numbered in roman numbers.
Hand numbered and signed by the artist.
Excellent conditions.
Category
1960s More Prints
Materials
Etching
Gioco del Cavaliere (Game of the Knight) - Original Etching by M. Marini - 1969
Located in Roma, IT
Hand signed. Edition of 75 prints.
Ref.:
G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incisioni e Litografie) 1919-1980, Edizioni Graphis Arte, ...
Category
1960s More Prints
Materials
Etching
Idea of a Knight - Original b/w lithograph - 1965
Located in Roma, IT
Image dimensions: 51x38.7 cm.
Artist Proof, hand signed in pencil.
Excellent conditions.
Category
1960s More Prints
Materials
Lithograph
Equestrian Fossil - Etching by Marino Marini - 1963
Located in Roma, IT
Hand Signed. Artist's Proof.
Very Good Conditions.
Ref. Guastalla n. A76; L. Toninelli n. 73; G. Di S.Lazzaro n. 49D.
Category
1960s More Prints
Materials
Etching
The Cry - Etching by Marino Marini - 1962
Located in Roma, IT
Image dimensions: 25x29 cm
Hand signed and numbered. Edition of 65 prints. Original title "Il Grido".
This work is plate XXIII from the Portfolio "Marino Marini Gravures" published b...
Category
1960s More Prints
Materials
Etching
Il Grido (The Cry) - Lithograph by Marino Marini - 1965
Located in Roma, IT
Image dimensions: 54x80 cm.
Edition of 50 pieces and some Artist's proofs.
Printed in Zurich. Catalogues: l'Oeuvre Gravée, N°476; Toninelli Abrams New York, no. 84; "Le litografia di...
Category
1960s More Prints
Materials
Lithograph
Le Guitariste - Original Etching by Ossip Zadkine - 1966
Located in Roma, IT
Rare and beautiful etching on lithographic base by Ossip Zadkine, realized in 1966.
Hand signed. One of 100 numbered copies on a global edition of 135 which includes also 10 artist'...
Category
Cubist 1960s More Prints
Materials
Etching
Red Knight on Brown Background - Original Lithograph by Marino Marini - 1961
Located in Roma, IT
Image dimensions: 70x50 cm.
Hand signed and numbered. Edition of 50 prints, numbered and hand signed.
Dedicated to Nesto Jacometti.
Ref. Abrams n.80.
Rare and in excellent conditions.
Category
1960s More Prints
Materials
Lithograph
Femme Allongée / Lying Woman - Original Etching and Drypoint by J.P. Velly
Located in Roma, IT
Image dimensions: 30x39 cm.
Hand signed and numbered by artist with pencil.
Edition of 60 prints.
Published in the general catalogue "Jean Pierre Velly - L'Oeuvre Grave", by Didier B...
Category
Contemporary 1960s More Prints
Materials
Etching
King Oedipus illustrated by Manzù - Includes a Suite of Original Etchings.
Located in Roma, IT
Original editorial cover with slipcase of green cardboard. On the cover, an original medallion sculptured by the artist on cardboard, showing the h...
Category
1960s More Prints
Materials
Etching
Sun Valley original alpine skiing poster c. 1960s Idaho United States of America
Located in London, GB
To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...
Category
Realist 1960s More Prints
Materials
Lithograph
Apparuerunt Illis Dispertitae Linguae - Lithograph - 1964
Located in Roma, IT
Apparuerunt Illis Dispertitae Linguae is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 19...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Original Fly TWA India vintage travel poster David Klein
By David Klein
Located in Spokane, WA
Original Fly TWA India vintage travel poster. Artist: David Klein. Archival linen backed in very fine condition, ready to frame.
This poster features a...
Category
American Modern 1960s More Prints
Materials
Offset
New York City Opera
Located in New York, NY
Richard Anuszkiewicz
New York City Opera, 1968
Silkscreen poster
35 x 25 inches
Unsigned
Anuszkiewicz created this poster, which was part of "Seve...
Category
Op Art 1960s More Prints
Materials
Screen
Sarah and the Angels, from Drawings for the Bible
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Title: Sarah and the Angels
Portfolio: Drawings for the Bible
Medium: Lithograph
Date: 1960
Edition: Unnumbered
Sheet Size: 14 3/8" x 10 1/4"
Image Size: 14 3/8"...
Category
1960s More Prints
Materials
Lithograph
Quarry
Located in Washington, DC
Artist: Robert Rauschenberg
Title: Quarry
Medium: Offset lithograph in colors
Year: 1968
Edition: 500
Frame Size: 41 1/2" x 33"
Sheet Size: 35 1/2" x 26 1/2"
Signature: Signed in the...
Category
Pop Art 1960s More Prints
Materials
Lithograph
La Pique (I), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso
Title: La Pique (I)
Portfolio: A Los Toros Avec Picasso
Medium: Transfer lithograph
Date: 1961
Edition: Unnumbered
Frame Size: 18 1/4" x 20 3/4"
Sheet Size: 9 1...
Category
Cubist 1960s More Prints
Materials
Lithograph
Exhibition Poster Galerie Gerald Cramer - Lithograph by Joan Mirò - 1969
By Joan Miró
Located in Roma, IT
Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized in occasion of an exhibitions by Joan Mirò.
Mixed colored lithograph.
The poster was realized in occasion...
Category
Surrealist 1960s More Prints
Materials
Lithograph
Original Vintage Travel Poster Paris French Railways Notre Dame German SNCF
Located in London, GB
Original vintage travel poster for Paris Franzosische Eisenbahnen / French Railways featuring great artwork by the notable French expressionist painter Bernard Buffet (1928-1999) dep...
Category
1960s More Prints
Materials
Paper
Original Vintage Car Poster VW Station Wagon Volkswagen Splitscreen Camper Van
Located in London, GB
Original vintage car advertising poster - Zwei Wagen in einem VW-Kombi / Two cars in one VW Station Wagon - featuring a great design depicting two shiny new blue Volkswagen camper va...
Category
1960s More Prints
Materials
Paper
Original Vintage Asia Air India Travel Poster Air About India Elephant Maharajah
Located in London, GB
Original vintage Asia travel poster for India issued by Air India - There is an Air about India - featuring a colourful collage style illustration depicting the Air-India mascot (a M...
Category
1960s More Prints
Materials
Paper
Original Vintage Chinese Propaganda Poster PLA Army Hard Work Political Nature
Located in London, GB
Original vintage Chinese propaganda poster - Hard Work is Our Political Nature / 艰苦奋斗是我们的政治本色 - featuring a smiling soldier in uniform holding a gun over his shoulder and drinking fr...
Category
1960s More Prints
Materials
Paper
Original Vintage Chinese Propaganda Poster Daqing Oil Field Industry Exploration
Located in London, GB
Original vintage Chinese propaganda poster - Independence Self-reliance Industry learning from Daqing / 独立自主 自力更生 工业学大庆 - featuring a winter image of two smiling men wearing fur hats...
Category
1960s More Prints
Materials
Paper
Original Vintage Chinese Propaganda Poster Practice Skills Defend Motherland
Located in London, GB
Original vintage Chinese Communist propaganda poster - Practice your skills to defend the motherland / 练好本领保卫祖国 - featuring dynamic artwork of a soldier in military uniform and helme...
Category
1960s More Prints
Materials
Paper
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